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Art &
Architecture
New Books from the
Getty Museum of Art &
Oxford U Press, Fall 1999
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1 to 10 and Back
Again
A Getty Museum
Counting Book
Teaches kids counting and art appreciation at the same time
Ten objects from the French decorative arts collection of
the J. Paul Getty Museum--fine clocks, gilded chairs, and
elaborate globes among them--are cleverly arranged for little
fingers to find and play with in this children's counting book.
Once young readers solidify their counting skills in the first
half of the book, the objects are scrambled and used to teach how
to count backwards, from ten to one. At the end, all of the
objects are shown in context in an image of a gallery filled with
the furniture and other objects from the book.
Like its popular companion volume, A is for Artist: A Getty
Museum Alphabet Book, this book provides parents and
educators with a unique opportunity to help children learn basic
skills while, at the same time, teaching them to look closely at
great art objects. In addition, adult fans of decorative arts
will delight in this book's richly illustrated, whimsically
designed pages.
52 pp.; 8 x 8; 0-89236-525-0 1999 $16.95 (03)
A Descriptive Catalogue of
The Sanskrit and Other Indian Manuscripts of the Chandra Shum
Shere Collection in the Bodleian Library
Part III: Stotras
K. PARAMESWARA AITHAL, Heidelberg University
General Editor: JONATHAN KATZ
The arrival in 1909 of the library of manuscripts now
known as the Chandra Shum Shere collection made Oxford the
repository of the largest known collection of Sanskrit
manuscripts outside the Indian subcontinent. This third volume of
the catalogue of the collection contains descriptive entries for
over five hundred manuscripts of Sanskrit hymnic and devotional
poems from the sixteenth to the nineteenth century.
260 pp.; 0-19-951388-0 1999 $105.00 (06) paper
A Passion for Performance
Sarah Siddons and
Her Portraitists
Edited by ROBYN ASLESON, SHELLEY BENNETT, both at The
Huntington Library, Art Collections, MARK LEONARD, Department
Head, Getty Museum, and SHEARER WEST, University of Birmingham
A Passion for Performance features three lively
essays--by Robyn Asleson, Shelley Bennett, Mark Leonard, and
Shearer West--that explore the life and career of the English
actress Sarah Siddons (1755-1831), who was renowned for her
majestic beauty and impassioned performances. This lavish volume
also illuminates her relationships with a number of artists who
portrayed her, bringing together fifty-six portraits of Siddons
including works by Sir Joshua Reynolds, Thomas Gainsborough,
George Romney, Thomas Lawrence, and Gilbert Stuart, along with a
chronology of the actress' life.
160 pp.; 51 color photos, & 64 b/w halftones; 9 x 11;
0-89236-556-0 1999 $39.95 (02)
Alpha and Omega
Visions of the
Millennium
One of the most definitive visions of a new age is
described in the Revelation of St. John the Divine, from
which the title of this beautiful volume is taken: "I was in
the Spirit of the Lord's day, and heard behind me a great voice,
as of a trumpet, Saying, I am Alpha and Omega, the first and the
last."
For many people, the year 2000 has profound significance. Over
the centuries humanity has dreamed of a better world and many
predictions of an apocalypse preceding a golden age have been
timed to coincide with the millennium. Alpha and Omega
contains extracts from the Revelation of St. John the Divine
and magnificent apocalyptic images. From works by artists ranging
from Hieronymus Bosch to Michelangelo to William Blake, as well
as miniatures from manuscripts in the Getty Museum, the visionary
power of the images in this bookcombined with its resounding
prosecreate a timely anthology befitting this extraordinary year.
76 pp.; 33 full color illus; 6 7/8 x 8 3/8; 0-89236-576-5 1999
$16.95 (02)
Introducción a los
Metadatos
vías a la
información digital
MURTHA BACA
Now available in Spanish, this book describes the
increasing significance of the concept of metadata since the
emergence of the World Wide Web as a major research tool across
all fields of study. Metadata, which can be broadly defined as
data about data, refers to the searchable definitions used to
locate information. This book defines this little-understood
concept, explains its importance and potential uses in the
networked environment, and describes existing metadata standards
in the field of cultural heritage information.
48 pp.; 2 line illus; 7 x 9-1/2; 0-89236-535-8 1999 $9.95 (06)
paper
Jean-Baptiste Greuze
The Laundress
COLIN B. BAILEY
Jean-Baptiste Greuze's diminutive picture of a
rosy-cheeked girl wringing out her linen was one of fourteen
works that he exhibited at the Salon of 1761 in Paris. This
lively and engrossing book traces the history of the Getty
Museum's painting, compares the work to other laundresses painted
by Greuze, and explores social mores and the role of artists
model in the eighteenth century. It provides an enlightening
account of Greuze's life and times and the influences on his
work.
90 pp.; 40 color, & 32 b/w illus; 7 1/2 x 9 1/4;
0-89236-564-1 December 1999 $17.50 (03) Tentative paper
Nadar/Warhol: Paris/New
York
Photography and Fame
GORDON BALDWIN and JUDITH KELLER
This engaging catalog features the photographic
portraiture of the nineteenth-century Parisian Nadar and the
twentieth-century New Yorker Andy Warhol . The two photographers
have more in common than one might suppose, particularly as
adroit manipulators who simultaneously promoted their own
reputations and those of their subjects. Both men emerged from
the Bohemia of their day to become photographers after following
earlier artistic pursuits: Nadar as a writer and caricaturist,
Warhol as a commercial graphic artist, then painter and
filmmaker.
While celebrating their individual achievements, Nadar/Warhol:
Paris/New York also illuminates the role of the visual artist
in the conscious creation of celebrity and the changing nature of
fame. Among the many portraits in this exhibition catalog are
Nadar's photographs of such luminaries as George Sand, Alexandre
Dumas, Victor Hugo, Jean-Francois Millet, and Sarah Bernhardt;
and Warhols images of celebrities including Mick Jagger, Truman
Capote, Jane Fonda, Robert Rauschenberg, Debbie Harry, Robert
Mapplethorpe, and Liza Minnelli.
240 pp.; 124 color, & 7 b/w illus; 9 x 12; 0-89236-560-9 1999
$60.00 (02)
The Decorated Word
Qur'ans of the 17th
to 19th Centuries
Part One
MANIJEH BAYANI, ANNA CONTADINI, University of London, and TIM
STANLEY, Deputy Curator, Nasser D. Khalili Collection of Islamic
Art
This two-part volume is the last of four dedicated to the
Qur'ans in the Khalili Collection, and covers the period
1700-1900 and items from Islamic Africa, Ottoman Turkey, Iran,
India and the Far East.
272 pp.; 137 color folios, 108 b/w documentation folios, & 1
b/w folio; 0-19-727603-2
1999 $235.00 (04)
Exploring World Art
ANDREA BELLOLI
This colorful introduction to world art brings together
seemingly unrelated objects--such as an Aztec calendar stone and
a Flemish still life--to help children make connections between
the world of art and their own lives. The art is divided into
chapters on Time and Space, Other Worlds, Daily Life, History and
Myth, and the World of Nature. Ancient Egyptian mummies accompany
a native Alaskan mask to illustrate how various cultures have
expressed belief in spirits and the afterlife, while an early
American quilt and a Polynesian artifact both serve as artistic
representations of daily life. An ideal resource for educators
and parents, Exploring World Art will help children think
about art and its various roles in society.
120 pp.; 120 color illus; 9 x 11; 0-89236-510-2 December 1999
$24.95 (03) Tentative
jacketed hardback
Temples of the Empress of
Heaven
JOSEPH BOSCO and PUAY-PENG HO
The Empress of Heaven is one of the most important deities
of South-east China, renowned for her control of water and her
willingness to help those in distress. This book explores
contemporary Chinese religious life by looking at many aspects of
the cult of the Empress. It examines the decoration of her
temples, common practices of everyday devotion, and the special
traditions seen at her festivals.
104 pp.; 25 full color photos, 25 b/w line illus & halftones
& 2 maps; 0-19-590355-2
1999 $12.95 (01)
Modern Art 1851-1929
Capitalism and
Representation
RICHARD
R. BRETTELL
A bold new look at the Modern Art era
Richard Brettell's innovative and beautifully-illustrated
account, the latest addition to the acclaimed Oxford History of
Art series, explores the works of artists such as Monet, Gauguin,
Picasso, and Dali--as well as lesser-known figures--in relation
to expansion, colonialism, nationalism and internationalism, and
the rise of the museum. Beginning with The Great Exhibition of
1851 in London, Brettell follows the development of the major
European avant-garde groups: the Realists, Impressionists,
Post-Impressionists, Symbolists, Cubists, and Surrealists. Giving
attention to the changing social, economic, and political
climate, the book focuses on conditions for the development of
modern art such as urban capitalism, modernity, and the
accessible image made possible by art museums, temporary
exhibitions, lithography, and photography. Brettell examines
artists' responses to modernism, including changes in
representation, vision, and "the art of seeing."
Combining the most recent scholarship with 140 illustrations--75
in full color--the book chronicles the change in art and image
itself, from the iconology of new representations of the nude
human form to the anti-iconography of "art without
'subject'": landscape painting; text and image; and
abstraction.
Tracing common themes of representation, imagination, perception,
and sexuality across works in a wide range of different media,
and offering profuse illustration to bring the changing art forms
vividly to life, Modern Art 1851-1929 presents a fresh
approach to the fine art and photography of this remarkable era.
272 pp.; 96 color, & 56 b/w illus; 6 1/2 x 9 1/4;
0-19-284220-X 1999 $16.95 (03) paper
1999 $39.95 (02) cloth
A Descriptive Catalogue of
The Sanskrit and Other Indian Manuscripts of the Chandra Shum
Shere Collection in the Bodleian Library
Part II: Epics
and Puranas
JOHN BROCKINGTON
General Editor: JONATHAN KATZ
The arrival in 1909 of the library of manuscripts now
known as the Chandra Shum Shere collection made Oxford the
repository of the largest known collection of Sanskrit
manuscripts outside the Indian subcontinent. This second volume
of the catalogue covers the considerable number of Epic and
Puranic texts contained in the collection.
320 pp.; 0-19-951354-6 1999 $105.00 (06) paper
Sculpture 1900-1945
PENELOPE
CURTIS
Provides a new critical analysis of the fascinating
development of sculpture during this important period in art
history
Sculpture 1900-1945 provides a new critical
analysis of the fascinating development of sculpture in Europe
and America during this important period in art history. The most
comprehensive concise history of modern sculpture available, this
account puts sculpture back into relation with a range of other
phenomena, encompassing many kinds of architects, sculptors, and
painters, with widely differing kinds of practices.
Penelope Curtis takes Rodin as her point of departure and
recurrent point of reference, building a story that necessarily
begins in Paris, the major artistic center of the era, and
evolves around responses to Rodin by sculptors in France,
Germany, Britain, and America. She charts the key developments in
the practice and reception of a wide variety of sculpture, from
the avant-garde to public monuments. Covering all the major
figures, including Duchamp, Le Corbusier, Dali, El Lissitzsky,
Brancusi, Henry Moore, and Barbara Hepworth, Sculpture
1900-1945 focuses on specific themes in each chapter, ranging
from the public place of sculpture, to the private arena, to the
figurative ideal. Filling a gap in the literature, Sculpture
1900-1945 is the only critically up-to-date book on the
subject.
Covers all the key practitioners such as Duchamp, Le Corbusier,
Dali, El Lissitzsky, Henry Moore, and Barbara Hepworth
Charts the key
developments in the practice and reception of a wide variety of
sculpture from the avant-garde to public monuments
304 pp.; 42 color & 110 b/w line illus; 0-19-210045-9
1999 $39.95 (02) cloth
1999 $17.95 (03) paper
Between Nature and Culture
Photographs of the
Getty Center by Joe Deal
JOE DEAL, MARK JOHNSTONE, RICHARD MEIER, and WESTON NAEF
From 1983 through 1997, artist Joe Deal documented the
site and construction of the Getty Center through a series of
black and white photographs. Topos Photographs of the Getty
Center Site: A Joe Deal Portfolio presents 130 of Deals
photographs, offering an opportunity to view the evolving site
through this artists eyes, from the selection of the starkly
beautiful chaparral-covered mountain top to the steel and
travertine of the final stages of construction. With an
introduction by Mark Johnstone that provides both a key to
understanding Joe Deals unique vision and commentaries on the
thematic groups and individual photographs reproduced, this book
offers a dramatic portrait of one of the Getty Center.
132 pp.; 125 halftones; 9-3/4 x 8-1/2; 0-89236-549-8 1999 $45.00
(02)
Infrared Spectroscopy
MICHELE R. DERRICK, DUSAN C. STULIK, and JAMES M. LANDRY
This book provides practical information on the use of
infrared spectroscopy for the analysis of materials found in
cultural objects. Designed for scientists and students in the
fields of archaeology, art conservation, microscopy, forensics,
chemistry, and optics, the book discusses techniques for
examining the microscopic amounts of complex, aged components in
objects such as paintings, sculptures, and archaeological
fragments.
320 pp.; 25 illus., 135 charts & graphs; 8 1/2 x 11;
0-89236-469-6 November 1999 $75.00 (04) Tentative paper
Building an Emergency Plan
A Guide to Cultural
Institutions
Compiled by VALERIE DORGE and SHARON JONES
In case of earthquake, floods, or human-caused emergencies
such as fires, how does a cultural institution protect the people
on site, its collections, and the premises from harm? Building
an Emergency Plan provides a step-by-step guide that a
cultural institution can follow to develop its own emergency
preparedness and response strategy.
224 pp.; 8 b/w illus, 24 linecuts; 0-89236-551-X December 1999
$39.95 (06) paper
The Superhuman Crew
Painting by JAMES ENSOR
Lyrics by BOB DYLAN
They're selling postcards of the hanging
They're painting the passports brown
The beauty parlor is filled with sailors
The circus is in town.
Bob Dylan, from "Desolation Row"
The Superhuman Crew brings together two visionary works of
artJames Ensor's masterpiece painting Christ's Entry into
Brussels in 1889 and Bob Dylan's "Desolation Row."
The result is a riveting visual and verbal experience.
Ensor's huge, vibrant, and startling canvas presents a scene
filled with clowns, masked figures, andbarely visible amid the
swirling crowdsthe tiny figure of Christ on a donkey entering the
city of Brussels. "Desolation Row," from Dylan's
classic 1965 album Highway 61 Revisited, presents its own
surreal portrait of modern life in strangely similar terms. These
two vast works share a vision of the contemporary world as
anarchic, grotesque, and absurd, and The Superhuman Crew
combines them in a surprising, thought-provoking format. This
book includes a complete reproduction and numerous details of
Ensor's painting, the full text of Dylan's lyrics to
"Desolation Row," and a compact disc with his recording
of the song.
40 pp.; 1 b/w photo, & 27 color paintings, 1 compact disc;
11-3/4 x 9-5/8; 0-89236-552-8
1999 $24.95 (02) paper
Corpus of Anglo-Saxon Stone
Sculpture
Volume V:
Lincolnshire
PAUL EVERSON, Royal Commission on the Historical Monuments of
England, and DAVID STOCKER, Inspector of Ancient Monuments,
English Heritage
The wealth of pre-Conquest sculpture in Lincolnshire,
recorded here definitively for the first time, forms a crucial
source for our understanding of the Anglo-Scandinavian period in
this region. Illustrated by excellent photographs, the catalogue
contains fresh discussions of such famous carvings as Crowle,
Edenham, and South Kyme. It also includes many newly discovered
pieces and important re-evaluations of others.
528 pp.; 501 figures & halftones, frontispiece; 0-19-726188-4
1999 $225.00 (06)
Macao Streets
CÉSAR GUILLÉN-NUÑEZ
Photographs by LEONG KA TAI
Encased in hand-painted tiles on the sides of buildings,
Macao's street signs hint at the vagaries of its historic
development over the past four centuries. This book provides
colorful descriptions of forty-five of these unusual signs for
street names along with a series of delightful color photographs
by award-winning Hong Kong photographer Leong Ka-tai.
148 pp.; 25 b/w & 88 color illus; 0-19-587766-7 1999 $45.00
(06)
Maiolica in the Making
The Gentili/Barnabei
Archive
CATHERINE HESS
In the seventeenth and eighteenth centuries, potters from
the Italian village of Castelli dAbruzzo created wares that
constitute a final, supremely pictorial phase of the tin-glazed
earthenware art know as maiolica. Here, Catharine Hess documents
the Gentili/Barabei archive--a recently acquired collection of
276 documents relating to these celebrated ceramics--to show how
it illuminates the production of maiolica.
196 pp.; 20 color plates, & 89 b/w halftones; 7 x 10;
0-89236-500-5 1999 $35.00 (06)
paper
In Focusz: André Kertész,
László Moholy-Nagy, and Man Ray
Photographs from the
J. Paul Getty Museum
Boxed Set of
Three
Three volumes from the Getty Museum's popular In Focus
series are packaged together here, offering a handsome set of
books on these important photographers: Andre Kertesz, Laszlo
Moholy-Nagy, and Man Ray. All born in Europe, each photographer
journeyed to the United States and made important contributions
to the medium. The volume on Kertesz presents the Getty Museum's
holdings of his work from his Budapest, Paris, and New York
periods, while the images in the book on Bauhaus teacher
Moholy-Nagy include his pioneering photomontages and camera-less
"photograms." The Man Ray volume presents his inventive
photographs taken in New York, Paris, and Los Angeles, including
portraits and nudes, and his experimental work with Rayographs
and solarization. Each volume in the In Focus series contains
approximately fifty photographs, with commentaries, an
introduction, a chronology, and a transcription of a colloquium
on the photographer's life and work.
430 pp.; 1 color, & 160 b/w photos; 6 x 7-5/8; 0-89236-568-4
1999 $45.00 (03) paper
The J. Paul Getty Museum
Handbook of the Collections
Japanese Language
Edition
This is a Japanese language edition of the newly revised
Museum Handbook.
246 pp.; 305 color, 5 b/w illus.; 5-1/2 x 9-1/2; 0-89236-477-7
July 1999 $14.95 (03) Tentative
paper
El hilo continuo
La conservación de
las tradiciones textiles de Oaxaca
Edited by KATHRYN KLEIN
This is the Spanish-language edition of The Unbroken
Thread.
192 pp.; 145 color, 12 b/w illus.; 10-1/2 x 14; 0-89236-382-7
July 1999 $39.95 (02) Tentative
The Silver Canvas
Daguerreotype
Masterpieces from the J. Paul Getty Museum
BATES LOWRY and ISABEL LOWRY
In this beautiful volume, which includes eighty examples
from the Museum's collection, the authors present the historical
and artistic development of the daguerreian process, chronicling
more than two decades of European and American history and
culture.
256 pp.; 31 color and 89 b/w illustrations; 9 x 11; 0-89236-536-6
December 1999 $39.95 (03)
paper 1998 $80.00 (02) cloth
Masterpieces of the J. Paul
Getty Museum: Illuminated Manuscripts
French Language
Edition
These lavish volumes feature highlights of five of the
collections in the J. Paul Getty Museum. Each volume contains
between seventy-five and one hundred objects, handsomely
reproduced in full color and described by members of the
curatorial staff.
128 pp.; 80 color illus.; 8-1/2 x 11; 0-89236-449-1 July 1999
$19.95 (03) Tentative paper
1998 $34.95 (02) cloth
Copper as Canvas
Two Centuries of
Masterpiece Paintings on Copper, 1575-1775
PHOENIX
ART MUSEUM
Later this year, approximately 100 of the most important
and best-preserved examples of paintings on copper from
collections in the U.S., Europe, and South America, along with
displays of copper mining and copper ores, and copper objects and
printing plates from the period, will be exhibited at the Phoenix
Art Museum, travelling next to the Nelson-Atkins Museum of Art in
Kansas City and then to the Royal Cabinet of Paintings
Mauritshuis in The Hague. The artform of painting on copper dates
back to the mid-sixteenth century, when European artists found
that the smooth surfaces of thin sheets of copper lent themselves
to fine workmanship, were easy to handle, and even gave a
luminous shine to the paint. Masters including Jan Breughel the
Elder, Claude, El Greco, Reni, Guercino, Rembrandt, and Vernet
are among those who produced fine works on copper.
Copper as Canvas brings together 100 full-color and
sixty-five black and white reproductions of these paintings, each
accompanied by a detailed entry, as well an interdisciplinary
range of essays covering the history of painting on copper. From
the history of the copper industry in Europe circa 1500-1700, to
the technique's emergence in the New World colonies (particularly
Mexico and Peru), to technical studies of the technique, the
essays provide illuminating background information for the
museum-goer. A combination of beautifully produced illustrations
and fascinating reading, Copper as Canvas brings these
stunning paintings to art-lovers in an impressive volume sure to
have a long afterlife beyond the exhibition.
368 pp.; 137 color, & 71 b/w illus; 8-1/2 x 11; 0-19-512396-4
1999 $49.95 (06) cloth
1999 $27.50 (03) paper
Palace Sculptures of Abomey
History Told on Walls
FRANCESCA
PIQUÉ and LESLIE RAINER
The Fon, who are the largest ethnic group in the Republic
of Benin in West Africa, established the powerful kingdom of
Dahomey in the early seventeenth century. In their capital city
of Abomey, they built a remarkable complex of palaces, featuring
walls decorated with colorful low-relief sculptures, or
bas-reliefs, which recount legends and battles and glorify the
history of their royal dynasty's reign. Over the centuries, these
visual stories have represented and perpetuated the history and
myths of the Fon people.
Palace Sculptures of Abomey combines lavish color
photographs of the bas-reliefs with a lively history of the
Dahomey kingdom, complemented by period drawings, rare historical
photographs, and colorful textile art. The book provides a vivid
portrait of these exceptional narrative sculptures and the
equally remarkable people who crafted them. Also included is a
discussion of the continuing popularity of bas-reliefs in
contemporary West African art, a reading of the stories on the
walls, and details of the four-year collaboration between the
Benin Ministry of Culture and Communications and the Getty
Conservation Institute to conserve the bas-reliefs of Abomey.
120 pp.; 120 color, 17 b/w illus; 8 x 10; 0-89236-569-2 October
1999 $24.95 (03) Tentative
paper
The Group Portraiture of
Holland
ALOIS RIEGL
Introduction by WOLFGANG KEMP
Translation by EVELYN M. KAIN
In The Group Portraiture of Holland, art historian
Alois Riegl (18581905) argues that the artists of sixteenth- and
seventeenth-century Holland radically altered the beholders
relationship to works of art. Group portraits by artists such as
Rembrandt and Frans Halls reflect an egalitarian viewpoint not
found in the more hierarchically structured Italian works of the
same period. First published in 1902 and here in English for the
first time, the book opened up areas of inquiry that continue to
engage scholars today.
448 pp.; 98 b/w illustrations; 7 x 10; 0-89236-548-X November
1999 $55.00 (06) Tentative
paper
Marguerite Makes a Book
Written
by BRUCE ROBERTSON
Illustrated by KATHRYN HEWITT
Paris in the 1400s. A young girl named Marguerite delights
in assisting her father, Jacques, in his craft: illuminating
manuscripts for the nobility of France. His current commission is
a splendid book of hours for his patron, Lady Isabelle, but will
he be able to finish it in time for Lady Isabelle's name day?
In this richly illustrated tale, Marguerite comes to her father's
aid. She journeys all over Paris buying goose feathers for
quills, eggs for mixing paints, dried plants and ground minerals
for pigments. Then she expertly finishes the illumination of Lady
Isabelle's book, to the delight of her father and his patron.
This delightful book, brought to life by the finely detailed,
evocative art of a renowned children's artists, was inspired by
an illuminated manuscript in the collection of the Getty Museum.
44 pp.; 33 full color; 9 x 11; 0-89236-372-X 1999 $18.95 (03)
laminated boards
From the Ocean of Painting
India's Popular
Paintings, 1589 to the Present
BARBARA
ROSSI
A stunning collection of 101 works, spanning 400 years of
popular painting in India
In this groundbreaking publication, Barbara Rossi, who has
traveled and researched extensively in India, presents 101 works
of extraordinary beauty representing twenty-one forms of popular
painting and spanning 400 years. Based on a traveling exhibition
that Rossi curated, From the Ocean of Painting offers
Western audiences a comprehensive collection of paintings largely
unknown in Europe and the United States.
Organized around the primary functions these artworks serve, this
volume enables readers to see the folk, tribal, and urban
contexts in which these forms of painting arose, and to gain a
fuller understanding of the representative works, all of which
are illustrated and given in-depth commentaries. But the chief
pleasure here is, of course, the art itself--a wealth of
remarkable pictorial images rendered in vibrantly rich palettes.
Gorgeously illustrated with fifty-seven color and fifty-three
black-and-white reproductions, From the Ocean of Painting
brings us a world of art rarely glimpsed in the West and a
stunning collection anyone interested in painting will not want
to miss.
"Informative, well researched, and accessible."--Library
Journal
"This beautiful book offers a look at 400 years of [a]
wealth of visual material. "--Hungry Mind Review
314 pp.; 58 color, & 60 b/w plates; 8 1/2 x 10; 0-19-511194-X
December 1999 $29.95 (03)
paper 1998 $60.00 (01) Cloth
Leonid Pasternak: The
Russian Years, 1875-1921
A Critical Study and
Catalogue
Volume I: Text,
Volume II: Plates
RIMGAILA SALYS, University of Colorado, Boulder
Introduction by JON WHITELEY, Ashmolean Museum, Oxford
Leonid Pasternak (1862-1945) was an important Russian
artist with a reputation as a fine portraitist. This fully
illustrated catalogue raisonne covers much of the best of his
oeuvre and contains over 2,000 items. The art historical
introduction sets his work in the context of European art, and a
biographical sketch has been written in close collaboration with
surviving members of the artist's family.
1048 pp.; 42 color plates, 2085 b/w plates; 0-19-817516-7 1999
$675.00 (04
Adriaen de Vries 1556-1626
Imperial Sculptor
FRITS SCHOLTEN
This elegant exhibition catalog includes sixty-six works
of art by this virtuoso sculptor, plus accompanying essays. Born
in The Hague, Adriaen de Vries worked with the official sculptor
to the Medici dukes beginning in 1580s, and in 1601 he was
appointed official court sculptor to Rudolf II in Prague, where
he worked until his death. Some of his best-known works are
illustrated and described in this comprehensive volume, including
the Bust of Emperor Rudolph II, the fountain Mercury
and Cupid, Psyche Born Aloft by Putti, Juggling Man and The
Wrestlers.
312 pp.; 70 color, & 200 b/w illus; 9 x 12; 0-89236-553-6
December 1999 $60.00 (02)
Early Medieval Architecture
ROGER
STALLEY
Presents new research and archaeological discoveries in an
accessible form
The early middle ages were an exciting period in the
history of European architecture, culminating in the development
of the Romanesque style. Major architectural innovations were
made during this time including the medieval castle, the church
spire, and the monastic cloister. By avoiding the traditional
emphasis on chronological development, Roger Stalley provides a
radically new approach to the subject, exploring issues and
themes rather than sequences and dates. In addition to analysing
the language of the Romanesque, the book examines the engineering
achievements of the builders, and clearly how the great monuments
of the age were designed and constructed. Ranging from Gotland to
Apulia, the richness and variety of European architecture is
explored in terms of the social and religious aspirations of the
time. Symbolic meanings associated with architecture are also
thoroughly investigated. Written with style and humour, the
lively text includes many quotations from ancient sources,
providing a fascinating insight into the way that medieval
buildings were created, and in the process enlivening study of
this period.
Provides many new and original observations to enliven study of
this subject
Highlights the
achievements and innovations of the period: the church spire,
castle keep, etc.
272 pp.; 54 color & 107 b/w line illus; 0-19-284223-4
1999 $17.95 (03) paper
Introductino to Object ID
ROBIN THORNES
The illegal trade of art, antiques, and other cultural
objects is one of the most prevalent categories of international
crime. Documentation is a crucial security measure, for law
enforcement officials can rarely recover and return objects that
have not been photographed and adequately described. Object ID is
an international standard which outlines the minimum information
needed to identify stolen art objects. In this volume, Robin
Thornes provides a brief history of the international development
of the standard and guidelines, and describes techniques for
photographing cultural objects.
48 pp.; 2 color and 24 b/w illus.; 7 x 9 1/2; 0-89236-572-2
December 1999 $11.95 (01)
paper
The Renewal of Pagan
Antiquity
ABY WARBURG
Introduction by KURT W. FORESTER
Translation by DAVID BRITT
Bibliophile, scholar, founder of what would become the
Warburg Institute, Aby Warburg (1866-1929) ranks as one of the
most original and brilliant art historians of this century.
Warburg looked beyond iconography to more psychological aspects
of artistic creation, and in particular he contemplated the
meaning of the re-use of ancient motifs. His
scholarship--published in German in 1932 in two volumes
encompassing all of his published essays along with manuscript
notes in his working copies--has had a crucial influence on the
work of twentieth-century art historians. Now, with the
publication of this new translation of The Renewal of Pagan
Antiquity, these seminal volumes are available in their
entirety in English for the first time.
868 pp.; 214 b/w halftones; 7 x 10; 0-89236-537-4 1999 $75.00
(06) paper
Oxford First Book of Art
GILLIAN
WOLFE
The Oxford First Book of Art is a dazzling
introduction for young children to the mesmerizing beauty of art.
It collects a wonderfully varied collection of images--paintings,
drawings, sculptures, and textiles--from around the world and
through the ages. The author encourages children to look
carefully at the art, ask questions about its contents, and be
curious about who created it and when. Pictures are grouped by
themes, starting with more accessible subjects--such as
"Mother and Child" and "Faces"--and
proceeding to such abstract concepts as "Light,"
"Patterns," and "Shapes." Superb, full-color
reproductions of art by traditional artists--like Mary Cassatt's
"The Bath" and William Turner's "The Fighting
Temeraire"--alternate with works from modern art's foremost
representatives, including Picasso, Fernand Leger, Klee, Henri
Moore,and Giacometti. The selections range from Native American
and Maori to Indian and Iraqi paintings and sculptures.
Simple, vivid text encourage children to get involved with the
pictures, to look closely and to share their observations. For
every theme there is an "Art Activity" which
demonstrates to the young reader ways in which the ideas and
concepts presented in the book can be applied to his or her own
drawings. Wolfe intersperses numerous quizzes and games among the
more serious themes of this special gift book that will provide
gentle, entertaining guidance to talented, artistically-inclined
children.
"Wolfe uses examples that children will understand, such
as the gentleness and tenderness between "Mother and
Child" depicted in Mary Cassatt's The Child's Bath....
Clear, full-color reproductions and photographs illustrate the
text. A volume to spark children's imaginations and their
interest in art."--School Library Journal
"The samples of artwork are from a wide range of time
periods and cultures; medieval and Aboriginal art are included as
well as examples of pop, impressionistic, and surrealistic
art.... Wolfe's emphasis is to persuade readers to bring their
own experiences to their understanding of art.... In this way,
those new to looking at art will begin to trust their own
interpretations of what they see, instead of feeling intimidated
or in need of expert explanation. Large, attractive reproductions
invite readers to linger over the pages."--Kirkus
Reviews
"Wolfe has collected a varied collection of
images--paintings, drawings, sculptures, and textiles--from
around the world. She encourages readers to scrutinize selected
pieces and question their content and meanings, as well as
inquire about the artists who created them.... Every theme offers
an "Art Activity" section that shows children ways to
apply concepts from the book to their drawings."--Curriculum
Administrator
48 pp.; 45 color illus; 8-1/2 x 11; 0-19-521556-7 1999 $18.95
(03)
Nietzsche and An
Architecture of Our Minds
Edited by ALEXANDRE KOSTKA and IRVING WOHLFARTH
Appropriated as an icon by an astonishingly diverse
spectrum of people, Friedrich Wilhelm Nietzsche has been the
subject of countless volumes of literature. Until now, though,
there has been no in-depth study devoted specifically to
Nietzsches thoughts and impact on architecture. In the essays
comprising Nietzsche and An Architecture of Our Minds,
thirteen eminent scholars from a wide variety of
disciplines--including art history, architecture and architecture
theory, literature, philosophy, and city planning--address his
far-reaching notion of an architecture commensurate with the
modern mind. They assess the relationship of Nietzschean
philosophy to art and architecture, elucidate frequent
misunderstandings, and determine patterns of influence,
illuminating an unsurveyed aspect of the philosophy of one of the
most profound thinkers of the modern age.
376 pp.; 75 b/w halftones; 7 x 10; 0-89236-485-8 1999 $45.00 (01)
paper
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