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Framing
The
positioning of a camera "puts frame around the world" and
divides it into off-screen and on-screen space. Thompson shows how
the very choice of framing can define relationships, tell a story,
create or release tension. He also shows how we can convey
information about off-screen space: the world in front of, behind
and "all around that world" defined by the frame itself.
10 min.
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$99.95
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Film Directing: Shot by Shot
370 pages, 7
x 10, 750+ illustrations
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$24.95
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Lighting Dances with Wolves
Dean Semler (Road Warrior, City Slickers, Dead Calm)
demonstrates the techniques that won him an Academy Award for the
cinematography of "Dances with Wolves." Dean's background
in documentary films is a major influence on his visuals. This
workshop recreates the lighting of an interior fireside scene from
"Wolves", using an exact replica of the teepe set. The
workshop footage was shot anamorphic, using a Panavision camera and
a crane.
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$89.95
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IMAGE
AND SCREEN
Discover the sensory qualities
of the filmed image, including luminosity, definition and grain.
Thompson shows how it is possible to manipulate exposure, depth of
field and other factors to enhance or undermine an illusion of
reality. 14 min.
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$99.95
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Grammar of the Film Language
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$29.95
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Lenses
and Perspectives
In
a series of convincing demonstrations, Thompson shows that the
position of the viewer or of a camera, is the governing factor in
the perception of spatial relationships in the third dimension. He
lays to rest the mistaken idea that lens focal length affects the
appearance of depth. 9 min.
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$99.95
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MOVEMENT AND MOVING THE CAMERA
Thompson examines the way the human eye moves as it
interacts with a visual scene and demonstrates how movement of the
camera must accommodate but not duplicate the movement of the eye.
Three types of movement are analyzed: movement within the frame,
movement of the frame and movement of the camera itself. 11 min.
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$99.95
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Masters Of Light
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$19.95
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Shooting for Black and White
55 min. Producer...AFTRS
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$89.95
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Shooting for Realism
55 min.
Producer...AFTRS Allen Daviau, ASC (E.T., The Color Purple,
Empire of the Sun) and Sacha Vierny (Hiroshima mon Amour; The
Cook, The Thief, His Wife and Her Lover, Prospero's Book) are
given the same script and set. Daviau creates a series of intricate
setups, clearly explaining each problem he encounters and the
solutions he finds by using filters, lights and F-stop changes.
Vierny experiments with a simple and elegant camera move that
encompasses much of the action but presents him with a new
challenge: hiding the dolly track. Computer graphics of the lighting
setups as well as side-by-side comparisons of the finished scenes
help you to better understand the techniques and appreciate the
results.
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$89.95
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ORIENTATION
OF THE CAMERA
Thompson shows how we orient
ourselves in space by a combination of what we see and other
physiological cues. Moving images lack these other cues and so
special efforts must be made to provide the viewer with a sense of
balance and equilibrium. Thompson shows how moving images can be
used to deliberately disturb the physiological equilibrium of the
viewer. 11 min.
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$99.95
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Painting with Light
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$24.95
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Shot
Sizes and Framing Faults
This
program defines the basic shot types of the film and video
vocabulary from wide shot to big clasp and discusses the most
effective use of each. Thompson shows how to build up an action
sequence from a combination of framings and discusses the
psychological impact of common framing errors. 9 min.
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$99.95
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Practical Cinematography
ISBN
0240515552: 200pp : 7.5 x 9.75 In. : 100 black and white line
drawings Paperback, December 1999
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$34.95
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Shooting for Drama
55 min.
Producer...AFTRS
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$89.95
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