This collection presents the finest of Wharton's achievement in short fiction, drawn from the more than eighty stories she published over the course of her career. Here, in settings familiar and exotic, are all of Wharton's characteristic qualities and themes: her candid exploration of relations between the sexes; her satire, sometimes gentle, sometimes despairing, of social class and its distinctions; her keen-eyed observation of the minutiae of character; her unflinching recognition of the power of conventional morality and the limits of passion, tempered by her delightful sense of play.

Opening with her first published storyýthe charming "Mrs. Manstey's View," about a disruption in the life of an elderly apartment-dweller—this first of two volumes presents a writer, already at the height of her powers, beginning to explore the concerns of a lifetime. In "Souls Belated," two lovers attempt to escape the consequences of their adultery—a subject to which Wharton returns throughout her career. In "The Mission of Jane" (about a remarkable adopted child) and "The Pelican" (about an itinerant lecturer), she discovers her gift for social and cultural satire. Perhaps the finest of her ghost stories, "The Eyes," with its Jamesian sense of evil, is also included, along with two novella-length works, "The Touchstone" and "Sanctuary," revealing the dazzling range of Wharton's fictive imagination.

Also included in this edition are a chronology of Wharton's life, explanatory notes, and an essay on the texts.

This collection presents the finest of Wharton's achievement in short fiction, drawn from the more than eighty stories she published over the course of her career. Here, in settings familiar and exotic, are all of Wharton's characteristic qualities and themes: her candid exploration of relations between the sexes; her satire, sometimes gentle, sometimes despairing, of social class and its distinctions; her keen-eyed observation of the minutiae of character; her unflinching recognition of the power of conventional morality and the limits of passion, tempered by her delightful sense of play.

Here, in the second of two volumes, Wharton's humor is abundantly evident in sly and subtle stories like "Xingu" (in which a ladies' reading group is led to express its enthusiasm for an occult philosophy) and "Charm Incorporated" (about a mild-mannered Wall Street executive overwhelmed by his emigrý wife's needy but wonderful relatives). As always, Wharton's is a provocative voice on the subject of sexuality and women's roles. In "The Day of the Funeral," "Joy in the House," and "Atrophy," love and desire confront the demands of polite society; in "Roman Fever," a formal tour de force, two middle-aged women on holiday with their modern daughters revisit the fierce competitiveness of their own youth. Of particular interest are Wharton's stories of the uncanny and the supernatural, like the grisly "A Bottle of Perrier," set in the North African desert, and the chilling "All Souls'," written just before her death. An unacknowledged master of American horror fiction, Wharton's lucid prose makes all the more powerful her exploration of the irrational forces underlying ordinary life.

Also included in this edition are a chronology of Wharton's life, explanatory notes, and an essay on the texts.